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The color naming section hit different. The casual mention of generating 40 names for basically the same butter yellow really captures how granular color work actually is. I've been in similiar discussions for product launches where the differnce between "warm sand" and "desert beige" somehow mattered to market positioning. The vicuña reference is perfecttoo, it signals luxury without being obvious about it. Nice how the piece connects that obsessive color work to the broader CMF framework, showing it's not just aesthetic nerdery but actually strategic differentiation.

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